Music and Medicine�is a new interdisciplinary journal that will be an integrative forum for clinical practice and research related to music interventions and applications of clinical music strategies in medicine. Each peer reviewed issue will offer original articles, case studies, editorial commentaries, and interviews from clinical medicine, the neurosciences, behavioral sciences, nursing, and social work that translate music, music psychology, music cognition, music neurology, and music therapy into scientifically valid clinical applications.�Music and Medicine�s�goal is to bring together information that is currently scattered across many disciplines throughout many publications.
SAGE is a leading international publisher of journals, books, and electronic media for academic, educational, and professional markets. Since 1965, SAGE has helped inform and educate a global community of scholars, practitioners, researchers, and students spanning a wide range of subject areas including business, humanities, social sciences, and science, technology, and medicine. A privately owned corporation, SAGE has principal offices in Los Angeles, Washington D.C., London, New Delhi, and Singapore.